Tag Archives: Printing

Lotus pods: Revisited

A couple of years ago, in a Jet James workshop, I made this print plate from 3mm foamex board (anyone following my blog will know by now that I love this stuff). Several techniques were used to create this intaglio/collagraph … Continue reading

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Collagraph printing: Tree bark – a larger plate

Using my original collagraph plate (see previous posts) as a reference I started to plan a larger version with a little more complexity. The sand I adhered to the mountboard backing in my last, smaller piece didn’t quite give me … Continue reading

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Collagraph printing: Tree bark

Continuing to play with the collagraph plate I made in the workshop with Gabriella Hegyes (see initial print left) I’ve been trying to get some variety in colour and outcome before I move to a larger, more complex, piece. When … Continue reading

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Gabriella Hegyes: Printing from the Land (C)

Part 3: Collagraphs: The first thing I love about collagraphs is that there is so much you can do to create an image.  I’ve done several workshops and experimented with a variety of media to create texture and patterning, but … Continue reading

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Gabriella Hegyes: Printing from the Land (B)

Part 2: Gabriella certainly worked us hard and shared a ton of information and samples with us. Trapping Plant Material: This was interesting.  I had some very dry, flattened, plant material which was suitable to be trapped between gauze layers.  … Continue reading

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Gabriella Hegyes: Printing from the Land (A)

Part 1: This two-day workshop in the Blue Mountains was an opportunity for me to print in completely different ways to what I have experienced so far. Clay Printing: Starting with a block of potters clay each we rolled it … Continue reading

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Uses for ‘failed’ prints.

No-one can produce perfect prints first time so what happens to all those trial pieces?  The ones where the colour chosen really wasn’t right or the registration was off-kilter.  Even the ones where the main image was perfect but the … Continue reading

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