Exercise 2: designing and cutting stamps
The goal: to explore the possibilities of stamping as a design tool.
I’ve spent the last 2 weeks carving 11 stamps from some of my comma designs (posted here) and then printing them.
On the left is some thick textural cardboard (from the back of a sketch pad) with sandpaper shapes adhered to the surface. I like the printed texture of the background but the sandpaper hasn’t really worked.
On the right is a piece of mountboard with shapes cut from thin cork sheet. This has come out very well with great definition around the raised areas.
There’s one thing about vinyl, it’s very easy to carve quite precise shapes. You need to be careful to cut right through to the surface before lifting off your ‘strip’ otherwise it can run and take off more than intended. It’s also easy to ink up.
In Photoshop I cleaned up around the edge of the first print but now I’ve done it I think I prefer the accidental ink pick-up from the plate edging. I could have cut it away right to the edge of the design, but didn’t.
Quite like these as vinyl gives such a sharp, solid image.
This strata is super-soft, super easy to carve and gives great results. As it is so thick it can also be used on both sides. The downside is that over time it dries and crumbles away. Doesn’t really bother me.
As soon as I started inking up and caught the carved edge of the block I liked it so I continued deliberately.
At this point, whilst there is nothing terribly exciting about these, I have learned that at heart I’m a collagraph printer. It’s my favourite style. I love the background pick-up and I enjoy making the plates, sticking bits and pieces onto a base, cutting and slashing patterns and lines and just seeing how they will turn out.
So, basic this may be, but I’ve already crystallized where my preferences are.